As an artist working with cyanotype in a modern context, I am fascinated by the historical origins of this unique photographic process and its connection to botanicals. Created in 1842 by Sir John Frederick William Herschel (1792–1871) and used in what is regarded as the first photographic book by Anna Atkins in 1843. A self-published book titled Photographs of British Algae: Cyanotype Impressions. By blending contemporary aesthetics with the traditional techniques of cyanotype, I aim to create a dialogue between past and present, exploring the intersection of art, science, and nature.

Cyanotype, with its distinctive blue hue and botanical subject matter, offers a rich visual language that resonates with the natural world. In my work, I seek to capture the intricate beauty of plant life through film and the cyanotype process, highlighting the delicate details and textures that are often overlooked in our fast-paced, digital dominanat world.

By incorporating modern elements and techniques into my cyanotype prints, such as digital creation of oversized negatives and mixed media, I strive to push the boundaries of this historical medium and create a contemporary interpretation of botanical art. Through this fusion of old and new, I hope to evoke a sense of nostalgia for the past while celebrating the timeless beauty of nature in a fresh and innovative way.

Ultimately, my goal in this series is to create art that not only captivates the viewer visually but also sparks a deeper appreciation for the history of cyanotype, and nature. By exploring the intersection of tradition and innovation, I aim to create work that is both timeless and relevant in today's ever-changing landscape.